Draw realistic thumbs up skin#

It will be harder to notice and correct mistakes once you have details like fingernails, creases, and shadows crowding the drawing. Until you’ve figured out all the basic information, you shouldn’t draw any details. This applies no matter what you’re drawing. This is the sort of thing you need to figure out early on in the drawing – the proportion and perspective of all the simple forms. We can see the right side and the front plane of the knuckles. For now, let’s ignore the muscle masses and just keep the palm as a simple concave box. Later on we’ll add the muscular tear drops on both sides. The middle finger area should be longest. Notice that the bones on the pinky side are slightly shorter. That’s a good place to start, but if you want to be a little more precise, it’s good to start thinking about the nuances. I mentioned that the palm areas can be simplified to a boxy form with equal height and width. With the hand simplified like this, it becomes much more manageable to pose, add anatomy, and to shade it. The wrist is a narrower box, which bends at the carpals.

Draw realistic thumbs up skin#

The complicated collection of bone, muscle, tendon, fat, and skin of the palm becomes a simple box. I’m gonna say it a lot in this lesson… it’s important to step back and think about the simple forms. Once the idea is clear, we’ll start constructing the hands using simple forms. You gotta feel the expression of the hand pose you’re drawing. Just like when you’re drawing facial expressions. When you’re drawing hands you have to be an actor. That makes the pose a bit more interesting. When I try to spread my fingers as far as I can, my wrist flexes a little and my fingers bend back. If the action is the fingers spreading, think about what happens when you spread them farther. And you always have your own hand that you can use to figure it out.Īnd don’t draw boring hands. Imagine this clearly in your mind before you make a mark. Can we see the back of the hand or the palm? How much of the front are we seeing? Or are we looking at it from the back? What is each finger and thumb doing? What about the wrist? Figure out the angle we’re looking at the hand from. The first step is to get a clear idea of the hand you’re gonna draw. But all this stuff ties together, so let’s get started… If you want to draw simple hands, rather than learn a simple process to draw real hands, I also have a lesson on drawing Cartoon Hands. There’s prerequisites that make it challenging, like anatomy, perspective and shading. Keep in mind, even though the process itself is quite simple, drawing hands is never going to be easy. It’s also a great process if you’re drawing from reference. In this tutorial I’ll show the process that has helped me to draw hands accurately from imagination.